Be wise, taste wines and adjusts your boundless hope to the cup of life, which is small. Even as we speak cruel time flees jealous. Harvest the present day, the morrow is uncertain. Seize the day. Carpe Diem Quam Minimum Credula Postero. (Quintus Horatius Flaccus 65–8 b.C.)
Leah Terada and Miles Pertl, “Future Memory” (rehearsal), choreography by Alejandro Cerrudo, music by Peter Gregson (“Alan Doesn’t Fight” from the motion picture Forgotten Man, 2019, and “Gavottes” from the album Recomposed by Peter Gregson: Bach – The Cello Suites, 2018), Dustin O’Halloran (“An Ending, a Beginning” from the album Other Lights, 2019), Jóhann Jóhannsson (“Stuk” from the album Jóhann Jóhannsson: 12 Conversations with Thilo Heinzmann, 2019), Jean-Michel Blais (“outsiders” from the album Dans ma main, 2018), scenic desing by Reed Nakayama and Alejandro Cerrudo, costume design by Mark Zapone, Pacific Northwest Ballet, Seattle, Washington, USA.
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