Be wise, taste wines and adjusts your boundless hope to the cup of life, which is small. Even as we speak cruel time flees jealous. Harvest the present day, the morrow is uncertain. Seize the day. Carpe Diem Quam Minimum Credula Postero. (Quintus Horatius Flaccus 65–8 b.C.)
Yolanda Correa as “Kitri”, “Don Quixote” (general rehearsal), choreo and staging by Víctor Ullate, music by Ludwig Minkus, stage and costume design by Roberta Guidi di Bagno, Staatsballett Berlin Berlin State Ballet, Deutsche Oper Berlin, Berlin, Germany (December 2021).
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Yolanda Correa as “Kitri”, “Don Quixote” (general rehearsal), choreo and staging by Víctor Ullate, music by Ludwig Minkus, stage and costume design by Roberta Guidi di Bagno, Staatsballett Berlin Berlin State Ballet, Deutsche Oper Berlin, Berlin, Germany (December 2021).
Note: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Yolanda Correa as “Kitri” and Dinu Tamazlacaru as “Miguel Basilio”, “Don Quixote” (general rehearsal), choreography and staging by Víctor Ullate, music by Ludwig Minkus, stage and costume design by Roberta Guidi di Bagno, Staatsballett Berlin Berlin State Ballet, Deutsche Oper Berlin, Berlin, Germany (December 2021).
Note: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Yolanda Correa as “Kitri” and Dinu Tamazlacaru as “Miguel Basilio”, “Don Quixote” (general rehearsal), choreography and staging by Víctor Ullate, music by Ludwig Minkus, stage and costume design by Roberta Guidi di Bagno, Staatsballett Berlin Berlin State Ballet, Deutsche Oper Berlin, Berlin, Germany (December 2021).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Yolanda Correa, “The Second Detail”, choreography, set design, light by William Forsythe, music by Thom Willems, costumes by Issey Miyake and Yumiko Takeshima 竹島 由美子. As part of the program “FORSYTHE | EYAL” (“Strong” by Sharon Eyal and “The Second Detail”), Staatsballett Berlin Berlin State Ballet, Deutsche Oper Berlin, Berlin, Germany.
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Yolanda Correa, Ksenia Ovsyanick Ксении Овсяницк, Elisa Carrillo Cabrera and Iana Salenko Яна Саленко – Photographer Jack Devant
Yolanda Correa – Photographer Jack Devant
Ksenia Ovsyanick Ксении Овсяницк – Photographer Jack Devant
Elisa Carrillo Cabrera – Photographer Jack Devant
Iana Salenko Яна Саленко – Photographer Jack Devant
Iana Salenko Яна Саленко, Ksenia Ovsyanick Ксении Овсяницк, Elisa Carrillo Cabrera and Yolanda Correa – Photographer Jack Devant
Yolanda Correa, Ksenia Ovsyanick Ксении Овсяницк, Elisa Carrillo Cabrera and Iana Salenko Яна Саленко, “Pas de Quatre”, music by Cesare Pugni, choreography by Anton Dolin after Jules Perrot, costumes by Alfred Chalon and Thomas Maguire, from program “From Berlin with Love I”, Staatsballett Berlin Berlin State Ballet Season Opening Gala, Deutsche Oper Berlin, Berlin, Germany (August 26, 2020).
World Premiere on July 12, 1845 at Her Majesty’s Theatre, London, England.
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Yolanda Correa (The Norwegian National Ballet Den Norske Opera & Ballett), “La Esmeralda”, based on the novel “Notre-Dame de Paris” by Victor Hugo, choreography by Jules Perrot and Marius Petipa, music by Cesare Pugni, sets by William Grieve, costumes by Madame Copère, 2015 Dance Open Ballet Festival, Alexandrinsky Theatre, Saint Petersburg, Russia (April 27, 2015).
Yolanda Correa and Marian Walter (dancers from Staatsballett Berlin Berlin State Ballet), “Elegy” (Elegie der Herzen) choreography by Raimondo Rebeck, music by David Troy Francis (Spiegel Im Spiegel-Mirror in the mirror), 2019 Eurasian Dance Festival, Astana Ballet Theatre, Nur-Sultan, Kazakhstan (June 16, 2019)
Note: Original quality of photographs may be affected by compression algorithm of the websites where they are hosted
Yolanda Correa (Staatsballett Berlin Berlin State Ballet) “The Talisman” music by Riccardo Drigo, choreography by Marius Petipa, 2018 Dance Open Ballet Festival, Alexandrinsky Theatre, Saint Petersburg, Russia (April 2)
Note: Original quality of photographs may be affected by compression algorithm of the websites where they are hosted
Yolanda Correa (The Norwegian National Ballet), “Le Corsaire” choreography by Marius Petipa and music by Cesare Pugni, 2017 Dance Open Ballet Festival, Alexandrinsky Theatre, Saint Petersburg, Russia (April 24)
Yolanda Correa and Osiel Gouneo (The Norwegian National Ballet), “Le Corsaire” choreography by Marius Petipa and music by Cesare Pugni, 2017 Dance Open Ballet Festival, Alexandrinsky Theatre, Saint Petersburg, Russia (April 24)
Yolanda Correa and Osiel Gouneo (The Norwegian National Ballet), “Le Corsaire” choreography by Marius Petipa and music by Cesare Pugni, 2017 Dance Open Ballet Festival, Alexandrinsky Theatre, Saint Petersburg, Russia (April 24)
Yolanda Correa and Yoel Carreño (Norwegian National Ballet), “La Esmeralda” choreography by Marius Petipa, 2015 Dance Open Ballet Festival Gala Concert, Alexandrinsky Theatre (April 27, 2015)
Yolanda Correa and Yoel Carreño (Norwegian National Ballet), “La Esmeralda” choreography by Marius Petipa, 2015 Dance Open Ballet Festival Gala Concert, Alexandrinsky Theatre (April 27, 2015)
Yolanda Correa and Yoel Carreño (The Norwegian National Ballet), “Onegin” choreography by John Cranko, 2015 Benois de la Danse Gala, Bolshoi Theatre, Moscow, Russia (May 26, 2015)
Evgenia Obraztsova and Denis Rodkin (Bolshoi Ballet), “The Talisman” choreography by Marius Petipa
Marianela Núñez and Thiago Soares (The Royal Ballet), “Winter Dreams” choreography by Kenneth MacMillan
Olga Smirnova and Semyon Chudin (Bolshoi Ballet), “The Taming of the Shrew” choreography by Jean-Christophe Maillot
Nicoletta Manni (La Scala Ballet) and Ivan Vasiliev, “Notre-Dame de Paris” choreography by Roland Petit
Yuko Kato, So Yeon Kim and Chidozie Nzerem (Ballett Am Rheim) “Deep Field” choreography by Martin Schläpfer
Alexander Ekman, “Thoughts at the Bolshoi” choreography, text and dancing by Alexander Ekman
Clifford Williams (Complexions Contemporary Ballet), “And So It Is” choreography by Dwight Rhoden
Yolanda Correa and Yoel Carreño (The Norwegian National Ballet), “Onegin” choreography by John Cranko
Marian Walter (Staatsballett Berlin) and Rainer Krenstetter (Miami City Ballet), “Morel et St Loup ou le combat des anges” from “Proust” choreography by Roland Petit
2015 Benois de la Danse Gala, Bolshoi Theatre, Moscow, Russia (May 26, 2015)
Yolanda Correa and Osiel Gouneo (The Norwegian National Ballet) and corps of the Yakobson Ballet, “Diana and Acteon” choreography by Agrippina Vaganova, 2015 Dance Open Ballet Festival Gala Concert, Alexandrinsky Theatre, Saint Petersburg, Russia (April 27)
Ballet: The Best Photographs 