Be wise, taste wines and adjusts your boundless hope to the cup of life, which is small. Even as we speak cruel time flees jealous. Harvest the present day, the morrow is uncertain. Seize the day. Carpe Diem Quam Minimum Credula Postero. (Quintus Horatius Flaccus 65–8 b.C.)
Marfa Fedorova Марфа Федорова, “Swan Lake Лебединое Oзеро”, music by Pyotr Tchaikovsky Пётр Чайковский, choreography by Nacho Duato, stage and costume design by Angelina Atlagić Ангелина Атлагич, Mikhailovsky Ballet Михайловский театр, Saint Petersburg, Russia.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Renata Shakirova Рената Шакирова as “Nikiya”and Vladimir Shklyarov Владимир Шкляров as “Solor”, “La Bayadère Баядеркa”, choreography by Marius Petipa (1877), revised choreography by Vladimir Ponomarev Владимир Пономарёв, Vakhtang Chabukiani Вахтанг Чабукиани (1941), Konstantin Sergeyev Константин Сергеев and Nikolay Zubkovsky Николай Зубковский, music by Ludwig Minkus, costume by Evgeny Ponomarev Евгений Пономарёв, Mariinsky Ballet Мариинский театр, Saint Petersburg, Russia (November 18).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Viktorina Kapitonova Викторина Капитонова (then at Ballett Zürich, today at Boston Ballet) and Alexander Jones (former principal dancer Stuttgarter Ballett), “Le Grand Pas De Deux”, choreography by Christian Spuck and music by Gioachino Rossini, 2016 Dance Open Ballet Festival, Alexandrinsky Theatre Александринский театр, Saint Petersburg, Russia. (April 25).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.