Be wise, taste wines and adjusts your boundless hope to the cup of life, which is small. Even as we speak cruel time flees jealous. Harvest the present day, the morrow is uncertain. Seize the day. Carpe Diem Quam Minimum Credula Postero. (Quintus Horatius Flaccus 65–8 b.C.)
Vérine Bouwman and Salvatore Castelli, “Azul”, choreo by Jorge Pérez Martínez, music by Joaquin Rodrigo (Concierto de Aranjuez); Francisco Tárrega (Recuerdos de la Alhambra); Isaac Albéniz (Suite Espanola); Antonio Vivaldi (Andante), costume design by Sjaak Hullekes and Hermien Hollander, Introdans, Arnhem, Netherlands.
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Marta Gerani and Claudio Coviello, “Bella Figura”, choreo by Jiří Kylián, music by Lukas Foss (“Lento” and “Andante” from Salomon Rossi Suite), Giovanni Battista Pergolesi (“Stabat Mater Dolorosa” and “Quando Corpus Morietur” from Stabat Mater), Alessandro Marcello (“Adagio” from Oboe Concerto in D minor), Antonio Vivaldi (“Andante” from Concerto for two mandolins in G major) and Giuseppe Torelli (“Grave” from Concerti Grossi Op 8 No. 6 in G minor “Christmas Concerto”), costume design by Joke Visser, Teatro alla Scala, Milan, Italy.
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Kathleen Breen Combes and Altan Dugaraa, “Bella Figura”, choreo by Jiří Kylián, music by Lukas Foss (“Lento” and “Andante” from Salomon Rossi Suite), Giovanni Battista Pergolesi (“Stabat Mater Dolorosa” and “Quando Corpus Morietur” from Stabat Mater), Alessandro Marcello (“Adagio” from Oboe Concerto in D minor), Antonio Vivaldi (“Andante” from Concerto for two mandolins in G major) and Giuseppe Torelli (“Grave” from Concerti Grossi Op 8 No. 6 in G minor “Christmas Concerto”), costume design by Joke Visser, Boston Ballet, Boston, Massachusetts, US.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted
“Azul”, choreography by Jorge Pérez Martínez, music by Joaquin Rodrigo (Concierto de Aranjuez); Francisco Tárrega (Recuerdos de la Alhambra); Isaac Albéniz (Suite Espanola); Antonio Vivaldi (Andante), costume design by Sjaak Hullekes and made it by Hermien Hollander. As part of the program “Aqua” (“Oceana” by Lucinda Childs”, Harbor Me” by Sidi Larbi Cherkaoui, “Earth” by Manuel Vignoulle and “Azul”), Introdans, Arnhem, Netherlands.
Sara Wroth, “Bella Figura”, choreography by Jiří Kylián, music by Lukas Foss (“Lento” and “Andante” from Salomon Rossi Suite), Giovanni Battista Pergolesi (“Stabat Mater Dolorosa” and “Quando Corpus Morietur” from Stabat Mater), Alessandro Marcello (“Adagio” from Oboe Concerto in D minor), Antonio Vivaldi (“Andante” from Concerto for two mandolins in G major) and Giuseppe Torelli (“Grave” from Concerti Grossi Op 8 No. 6 in G minor “Christmas Concerto”), costume design by Joke Visser, Boston Ballet, Boston, Massachusetts, USA.
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Sujung Lim 임수정 and Tigran Mkrtchyan, “Bella Figura”, choreography by Jiří Kylián, music by Lukas Foss (“Lento” and “Andante” from Salomon Rossi Suite), Giovanni Battista Pergolesi (“Stabat Mater Dolorosa” and “Quando Corpus Morietur” from Stabat Mater), Alessandro Marcello (“Adagio” from Oboe Concerto in D minor), Antonio Vivaldi (“Andante” from Concerto for two mandolins in G major) and Giuseppe Torelli (“Grave” from Concerti Grossi Op 8 No. 6 in G minor “Christmas Concerto”), costume design by Joke Visser, Ballett Zürich, Zürich Opera House, Zürich, Switzerland.
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Katja Wünsche and Yannick Bittencourt, “Bella Figura”, choreography by Jiří Kylián, music by Lukas Foss (“Lento” and “Andante” from Salomon Rossi Suite), Giovanni Battista Pergolesi (“Stabat Mater Dolorosa” and “Quando Corpus Morietur” from Stabat Mater), Alessandro Marcello (“Adagio” from Oboe Concerto in D minor), Antonio Vivaldi (“Andante” from Concerto for two mandolins in G major) and Giuseppe Torelli (“Grave” from Concerti Grossi Op 8 No. 6 in G minor “Christmas Concerto”), costume design by Joke Visser, Ballett Zürich, Zürich Opera House, Zürich, Switzerland.
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Elena Vostrotina Елена Востротина and Raphaël Coumes-Marquet, “Bella Figura”, choreography by Jiří Kylián, music by Lukas Foss (“Lento” and “Andante” from Salomon Rossi Suite), Giovanni Battista Pergolesi (“Stabat Mater Dolorosa” and “Quando Corpus Morietur” from Stabat Mater), Alessandro Marcello (“Adagio” from Oboe Concerto in D minor), Antonio Vivaldi (“Andante” from Concerto for two mandolins in G major) and Giuseppe Torelli (“Grave” from Concerti Grossi Op 8 No. 6 in G minor “Christmas Concerto”), costume design by Joke Visser, Dresden Semperoper Ballett, Dresden, Saxony, Germany.
Sujung Lim 임수정, “Bella Figura”, choreography by Jiří Kylián, music by Lukas Foss (“Lento” and “Andante” from Salomon Rossi Suite), Giovanni Battista Pergolesi (“Stabat Mater Dolorosa” and “Quando Corpus Morietur” from Stabat Mater), Alessandro Marcello (“Adagio” from Oboe Concerto in D minor), Antonio Vivaldi (“Andante” from Concerto for two mandolins in G major) and Giuseppe Torelli (“Grave” from Concerti Grossi Op 8 No. 6 in G minor “Christmas Concerto”), costume design by Joke Visser, Ballett Zürich, Zürich Opera House, Zürich, Switzerland.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Alice Firenze and Davide Dato, “Bella Figura”, choreography by Jiří Kylián, music by Lukas Foss (“Lento” and “Andante” from Salomon Rossi Suite), Giovanni Battista Pergolesi (“Stabat Mater Dolorosa” and “Quando Corpus Morietur” from Stabat Mater), Alessandro Marcello (“Adagio” from Oboe Concerto in D minor), Antonio Vivaldi (“Andante” from Concerto for two mandolins in G major) and Giuseppe Torelli (“Grave” from Concerti Grossi Op 8 No. 6 in G minor “Christmas Concerto”), costume design by Joke Visser, Wiener Staatsballett Vienna State Ballet, Wiener Staatsoper, Vienna, Austria.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.