Be wise, taste wines and adjusts your boundless hope to the cup of life, which is small. Even as we speak cruel time flees jealous. Harvest the present day, the morrow is uncertain. Seize the day. Carpe Diem Quam Minimum Credula Postero. (Quintus Horatius Flaccus 65–8 b.C.)
Sarah Lamb and Ryoichi Hirano, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitry Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, Royal Opera House, London, England (November 2012).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Itziar Mendizabal, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitri Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, Royal Opera House, London, England (November 2012).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Sarah Lamb and Ryoichi Hirano, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitri Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, Royal Opera House, London, England (November 2012).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Marianela Núñez and Rupert Pennefather, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitry Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, Royal Opera House, London, England (November 2012).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Sarah Lamb and Ryoichi Hirano, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitri Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, Royal Opera House, London, England (November 2012).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Melissa Hamilton and Lukas Brændsrød, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitri Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, London, England (October 22, 2019).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Olga Esina Ольга Есина and Vladimir Shishoff Владимир Шишофф, “Concerto” choreography by Sir Kenneth MacMillan, music by Dmitri Shostakovich Дмитрий Шостакович, set and costume design by Deborah MacMillan from “MACMILLAN | MCGREGOR | ASHTON” (“Concerto”, “Eden-Eden” by Wayne McGregor, “Marguerite and Armand” by Sir Frederick Ashton), Wiener Staatsballett Vienna State Ballet, Wiener Staatsoper, Vienna, Austria (February 17, 22 and 24, 2020).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Olga Esina Ольга Есина and Roman Lazik, “Concerto” choreography by Sir Kenneth MacMillan, music by Dmitri Shostakovich Дмитрий Шостакович, set and costume design by Deborah MacMillan from “MACMILLAN | MCGREGOR | ASHTON” (“Concerto”, “Eden-Eden” by Wayne McGregor, “Marguerite and Armand” by Sir Frederick Ashton), Wiener Staatsballett Vienna State Ballet, Wiener Staatsoper, Vienna, Austria (June 21, 2019)
Note: Original quality of photographs may be affected by compression algorithm of the websites where they are hosted
Ballet: The Best Photographs 