Be wise, taste wines and adjusts your boundless hope to the cup of life, which is small. Even as we speak cruel time flees jealous. Harvest the present day, the morrow is uncertain. Seize the day. Carpe Diem Quam Minimum Credula Postero. (Quintus Horatius Flaccus 65–8 b.C.)
Elisa Badenes and Friedemann Vogel, “Initials R.B.M.E.”, choreo by John Cranko, music by Johannes Brahms (Piano Concerto Nº 2), stage and costume by Jürgen Rose. As part of the program “Remember Me” (“Initials R.B.M.E.” and “Requiem” by Sir Kenneth MacMillan), Stuttgarter Ballett, Die Staatstheater Stuttgart, Stuttgart, Germany.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Elisa Badenes and Friedemann Vogel, “Initials R.B.M.E.”, choreo by John Cranko, music by Johannes Brahms (Piano Concerto Nº 2), stage and costume by Jürgen Rose. As part of the program “Remember Me” (“Initials R.B.M.E.” and “Requiem” by Sir Kenneth MacMillan), Stuttgarter Ballett, Die Staatstheater Stuttgart, Stuttgart, Germany.
Note: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Elisa Badenes and Friedemann Vogel, “Initials R.B.M.E.”, choreo by John Cranko, music by Johannes Brahms (Piano Concerto Nº 2), stage and costume by Jürgen Rose. As part of the program “Remember Me” (“Initials R.B.M.E.” and “Requiem” by Sir Kenneth MacMillan), Stuttgarter Ballett, Die Staatstheater Stuttgart, Stuttgart, Germany.
Note: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Sarah Lamb and Ryoichi Hirano, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitry Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, Royal Opera House, London, England (November 2012).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Itziar Mendizabal, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitri Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, Royal Opera House, London, England (November 2012).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Sarah Lamb and Ryoichi Hirano, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitri Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, Royal Opera House, London, England (November 2012).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Marianela Núñez and Rupert Pennefather, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitry Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, Royal Opera House, London, England (November 2012).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Sarah Lamb and Ryoichi Hirano, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitri Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, Royal Opera House, London, England (November 2012).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Melissa Hamilton and Lukas Brændsrød, “Concerto”, choreography by Sir Kenneth MacMillan, music by Dmitri Shostakovich Дмитрий Шостакович (Piano Concerto Nº 2), costume design by Jürgen Rose, The Royal Ballet, London, England (October 22, 2019).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Ashley Bouder and Jonathan Stafford, “Tchaikovsky Piano Concerto Nº 2”, music by Pyotr Tchaikovsky Пётр Чайковский (Piano Concerto Nº 2 in G, Op. 44), choreography by George Balanchine, costume by Barbara Karinska (original), Ben Benson (1979), Gary Lisz (1990), current costume by Marc Happel (2019), New York City Ballet, New York City, USA.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Ballet: The Best Photographs 