Be wise, taste wines and adjusts your boundless hope to the cup of life, which is small. Even as we speak cruel time flees jealous. Harvest the present day, the morrow is uncertain. Seize the day. Carpe Diem Quam Minimum Credula Postero. (Quintus Horatius Flaccus 65–8 b.C.)
Valeriya Pobedinskaya Валерия Побединская, Aliya Khassenova Алия Хасенова and Yuliya Voronina Юлия Воронина, “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this post with data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Yuliya Voronina Юлия Воронина as one of “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this post with data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Valeriya Pobedinskaya Валерия Побединская, Aliya Khassenova Алия Хасенова and Yuliya Voronina Юлия Воронина, “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this post with data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Valeriya Pobedinskaya Валерия Побединская as one of “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this post with data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Aliya Khassenova Алия Хасенова and Yuliya Voronina Юлия Воронина as two of “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this post with data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Aliya Khassenova Алия Хасенова and Yuliya Voronina Юлия Воронина as two of “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this postwith data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Aliya Khassenova Алия Хасенова and Yuliya Voronina Юлия Воронина as two of “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this postwith data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Valeriya Pobedinskaya Валерия Побединская, Aliya Khassenova Алия Хасенова and Yuliya Voronina Юлия Воронина, “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this post with data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Valeriya Pobedinskaya Валерия Побединская, Aliya Khassenova Алия Хасенова and Yuliya Voronina Юлия Воронина, “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this post with data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Valeriya Pobedinskaya Валерия Побединская, Aliya Khassenova Алия Хасенова and Yuliya Voronina Юлия Воронина, “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this post with data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Valeriya Pobedinskaya Валерия Побединская, Aliya Khassenova Алия Хасенова and Yuliya Voronina Юлия Воронина, “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this post with data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Valeriya Pobedinskaya Валерия Побединская, Aliya Khassenova Алия Хасенова and Yuliya Voronina Юлия Воронина, “The Three Odalisques”, “Schéhérazade Шехеразада”, choreo by Mikhail Fokine (1910) reconstruction by Isabelle Fokine and Andris Liepa Андрис Лиепа (1994), music by Nikolay Rimsky Korsakov Николай Римский Корсаков, set and costume design by Anna Nezhnaya Анна Нежная, Anatoly Nezhny Анатолий Нежный (original set by Léon Bakst Леон Бакст), 2012 Russian Seasons of the XXI Century Festival, Mikhailovsky Theater Михайловский театр, Saint Petersburg, Russia (April 3-5, 2012).
Note I: I would like to express my gratitude to Valeriya Pobedinskaya for providing the info that allowed me to describe this post with data that was unknown for me.Thanks Valeriya!
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
Yulia Makhalina Юлии Махалиной and Xander Parish (Mariinsky Ballet Мариинский театр), “Le Spectre de la Rose” choreography by Mikhail Fokine, music by Carl Maria von Weber (Afforderung zum Tanz), libretto by Jean-Louis Vaudoyer based on the poem “Le Spectre de la Rose” by Théophile Gautier, Russian Seasons of the XXI Century, London, England (July 2013)
Alexandra Timofeeva (The Kremlin Ballet), Ilya Kuznetsov (Mariinsky Ballet) and Igor Pivorovich, “Tamar” by M. Balakirev, 2014 Russian Seasons of the XXI Century (October 14, 2014)
Alexandra Timofeeva (The Kremlin Ballet), Ilya Kuznetsov (Mariinsky Ballet) and Igor Pivorovich, “Tamar” by M. Balakirev, 2014 Russian Seasons of the XXI Century (October 14, 2014)
Ballet: The Best Photographs 