Be wise, taste wines and adjusts your boundless hope to the cup of life, which is small. Even as we speak cruel time flees jealous. Harvest the present day, the morrow is uncertain. Seize the day. Carpe Diem Quam Minimum Credula Postero. (Quintus Horatius Flaccus 65–8 b.C.)
Robyn Hendricks, “Divergence”, music by Georges Bizet (L’Arlesienne Suites Nº 1 & 2), choreography by Stanton Welch, costume design by Vanessa Leyonhjelm, Australian Ballet, Melbourne, Australia.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Victoria Jaiani and Miguel Blanco, “Son of Chamber Symphony”, choreography by Stanton Welch (2012), music by John Adams, The Joffrey Ballet, Lyric Opera House, Chicago, Illinois, US.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Tyler Donatelli and Chandler Dalton, “The Nutcracker”, choreography by Stanton Welch, music by Pyotr Tchaikovsky Пётр Чайковский, Houston Ballet, Wortham Theater Center, Houston, Texas, US.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Karina González as “Sylvia” and Connor Walsh as “The Shepherd”, “Sylvia”, choreography by Stanton Welch, music by Léo Delibes, set and costume design by Jerome Kaplan, Houston Ballet, Wortham Theater Center, Houston, Texas, US.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Mackenzie Richter and Harper Watters, “Divergence”, music by Georges Bizet (L’Arlesienne Suites Nº 1 & 2), choreography by Stanton Welch, costume design by Vanessa Leyonhjelm, Houston Ballet, Wortham Theater Center, Houston, Texas, USA.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Julia Adam and Yuri Possokhov Юрий Посохов, “Maninyas”, choreography by Stanton Welch, music by Ross Edwards (Maninyas Concerto for Violin and Orchestra), San Francisco Ballet, San Francisco, California, USA.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Julie Kent and Marcelo Gomes, “Clear”, choreography by Stanton Welch, music by Johann Sebastian Bach, costumes by Michael Kors for Celine, American Ballet Theatre, New York City, USA.
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Sasha De Sola and Lonnie Weeks, “Bespoke”, choreography by Stanton Welch, music by Johann Sebastian Bach from “Program C”, 2019 San Francisco Ballet London Tour, Sadler’s Wells, London, England (May 29 to June 8, 2019)
Note: Original quality of photographs may be affected by compression algorithm of the websites where they are hosted
Yuan Yuan Tan 谭元元 and Aaron Robison, “La Cathedrale Engloutie” (The Submerged Cathedral) choreography by Stanton Welch, music by Claude Debussy, pianist Natalya Feygina, 2017 San Francisco Ballet Opening Night Gala, War Memorial Opera House, San Francisco, California, USA (January 19, 2017)
Ballet: The Best Photographs 