Be wise, taste wines and adjusts your boundless hope to the cup of life, which is small. Even as we speak cruel time flees jealous. Harvest the present day, the morrow is uncertain. Seize the day. Carpe Diem Quam Minimum Credula Postero. (Quintus Horatius Flaccus 65–8 b.C.)
Natalia Osipova Наталья Осипова, “Zeitgeist” (rehearsal), choreography by Alastair Marriott, music by Philip Glass (Violin Concerto Nº 1), Mikhailovsky Ballet Миха́йловский теaтр, Saint Petersburg, Russia (July 2015).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Natalia Osipova Наталья Осипова, Edward Watson, Tomas Mock, Marcelino Sambé and Donald Thom, “Zeitgeist”, choreography Alastair Marriott, music by Philip Glass (Violin Concerto Nº 1), Ardani 25 Dance Gala, London Coliseum, London, England (July 17, 2015).
Natalia Osipova Наталья Осипова and Edward Watson (dancers from The Royal Ballet), “Zeitgeist” choreography by Alastair Marriott, music by Philip Glass (Violin Concerto Nº 1), Ardani 25 Dance Gala, London Coliseum, London, England (July 17, 2015).
Note: Original quality of photographs might be affected by compression algorithm of the websites where they are hosted.
Natalia Osipova Наталья Осипова and Edward Watson, “Zeitgeist” choreography Alastair Marriott, music by Philip Glass (Violin Concerto Nº 1), Mikhailovsky Theatre (July 2015)
Natalia Osipova Наталья Осипова and Sergei Polunin Серге́й Полу́нин, “Silet Echo” choreography by Russell Maliphant, from “Tour de Force III” (“Clay” choreography by Vladimir Varnava Владимир Варнава, “Zeitgeist” choreography by Alastair Marriott (in its place “Silet Echo”), “Tristesse” by Marcelo Gomes and “Le Divertissement du Roi” by Maxim Petrov), Segerstrom Center for the Arts, Costa Mesa, California, USA (August 27, 2016)
Ballet: The Best Photographs 